Interpretation of International jewellery markets

Paper Code: 
JWT 304
Credits: 
8
Contact Hours: 
120.00
Max. Marks: 
100.00
Objective: 

This course will enable the students to –

  1. Gain the knowledge of different International jewellery markets.

Learning outcomes (COs):

Course

Learning outcomes

(at course level)

Learning and teaching strategies

Assessment

Strategies

Paper Code

Paper Title

 

 

JWT 304

 

 

Interpretation of International Jewellery Markets

The students will be able to –

 

CO56:  Understand the history and the cultural aspects of various jewellery markets.

CO57:  Begin development of a personal style through the integration of life experience, exploration in technique, elements from design theory and history, and feedback from faculty and peers.

 

Approach in teaching: Interactive Practical Sessions ,  Demonstrations ,Giving tasks, Field practical , inspiration board,  Workshop ,  Laboratory industry visits,  Group and Team work

Learning activities for the students: Self-learning assignments, design development

Class test, Semester end examinations, Assignments, Presentation, Individual and group projects

 

120.00
Unit I: 
Designing for major international markets & Brands :

         

 

  •  Italy                                                                                                           
  •  Germany                                                                                                 
  •  France
  •  Britain                                       
  •  USA                                          
  •  Japan                                         
  •   Dubai
  •  China
  • International Brands
Essential Readings: 

BOOKS RECOMMENDED:

  • Vyas,S.(2012).When Jewellery Speaks: Celebrating the Tradition of Kundan Minakaari. DiamondWorld, (ed 1).
  • Lam, R. (2003). Brand jewellery. Brilliant- Art Publishing Ltd.
  • Krishnan, U. R. B. (2001). Jewels of the Nizams. India Books House Limited.
  • Tait, H. (Ed.). (1987). Jewelry, 7,000 years: an international history and illustrated survey from the collections of the British Museum. Abrams.
  • Vyas, P. K. (2015). Three Dimensional Form Giving of Kundan Jewellery—A Parametric, Cluster Based Approach to Jewellery Design and Prototyping. In ICoRD’15–Research into Design Across Boundaries Volume 2 (pp. 263-273). Springer, New Delhi.
  • Haidar, N. N., & Stewart, C. A. (2014). Treasures from India: Jewels from the Al-Thani Collection. Metropolitan Museum of Art.
  • Price, J. (2011). Lest We Forget: Masterpieces of Patriotic Jewelry and Military Decorations. Taylor Trade Publishing.

 

 

Academic Year: 
2020-2021
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